Products related to Performances:
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Directing Screen Performances
The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors.Through a practical exploration of the major approaches to contemporary screen acting, you will learn how to formulate your own effective modes of communication to craft compelling performances. Directing performances for the screen starts well before the actor is cast and finishes well after the last slate is shot.In this book you will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit.The director's process is clearly defined and augmented with illustrations, photographs and graphics, and each chapter concludes with practical exercises to consolidate the new knowledge.
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Imaginary Performances in Shakespeare
In Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare.Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director.This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
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Asian American Film Festivals : Frames, Locations, and Performances of Memory
Responding to a lack of studies on the film festival’s role in the production of cultural memory, this book explores different parameters through which film festivals shape our reception and memories of films.By focusing on two Asian American film festivals, this book analyzes the frames of memory that festivals create for their films, constructed through and circulated by the various festival media.It further establishes that festival locations—both cities and screening venues—play a significant role in shaping our experience of films.Finally, it shows that festivals produce performances which help guide audiences towards certain readings and direct the film’s role as a memory object.Bringing together film festival studies and memory studies, 'Asian American Film Festivals' offers a mixed-methods approach with which to explore the film festival phenomenon, thus shedding light on the complex dynamics of frames, locations, and performances shaping the festival’s memory practices.It also draws attention to the understudied genre of Asian American film festivals, showing how these festivals actively engage in constructing and performing a minority group’s collective identity and memory.
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William Kapell: Live Performances
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How can I get piano performances?
You can get piano performances by attending live concerts, recitals, or music festivals that feature piano music. You can also search for piano performances online on platforms like YouTube, Vimeo, or music streaming services. Additionally, you can hire a pianist to perform at events or special occasions, or take piano lessons yourself to learn how to perform on the piano.
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What are some tips for performances?
Some tips for performances include practicing regularly to build confidence and familiarity with the material, focusing on breathing techniques to control nerves and project your voice, maintaining good posture and body language to engage the audience, and staying present in the moment to connect with your performance. It's also important to prepare mentally by visualizing a successful performance and staying positive. Lastly, remember to have fun and enjoy the experience of sharing your talent with others.
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What are the best acting performances?
The best acting performances are those that are able to fully immerse the audience in the character and story. They are able to convey a wide range of emotions and bring depth and complexity to their characters. The best performances are often those that feel authentic and genuine, leaving a lasting impact on the audience. Additionally, performances that are able to evoke empathy and connection with the audience are often considered the best.
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How much do artists earn for performances in clubs and festivals as headliners?
The amount that artists earn for performances in clubs and festivals as headliners can vary widely depending on factors such as their level of fame, popularity, and negotiating power. Established headliners at major festivals can earn anywhere from tens of thousands to hundreds of thousands of dollars per performance. In contrast, artists headlining smaller clubs or local festivals may earn a few thousand dollars or even perform for exposure or a lower fee. Ultimately, the earnings of headlining artists in clubs and festivals can range significantly based on various factors.
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Iron Maiden The Reading Performances
Iron Maiden first appeared at the Reading Rock Festival in 1980 when Paul Di'Anno was fronting the band and Dennis Stratton was on guitar.They appeared second on the bill to UFO on the second night.Undoubtedly for Maiden's Steve Harris there was nothing but respect for the headliners with UFO's Pete Way being one of Harris's biggest bass guitar influences. Also on the bill that day were two future Iron Maiden members - Bruce Dickinson, then the lead singer with Samson, and guitarist Janick Gers of White Spirit, who were brought in as a replacement band. By 1982 when Maiden returned to Reading it was naturally as the headlining act on the Saturday evening.The band had gone through significant changes to the line-up, most notably with Bruce Dickinson now fronting them, which coincided with their rise in popularity. Incredibly it would be another twenty-three years before Maiden returned to Reading, by which time they were in their third decade and had become the undisputed giants of metal.Their longevity also stood out as most of the other major acts that performed over the three days had only appeared on the scene over the previous few years and none could boast a back catalogue quite like Maiden's. With a large collection of photos by Alan Perry and memorabilia from the gigs plus narrative from Iron Maiden biographer Neil Daniels, this book is a wonderful celebration of Maiden's unforgettable appearances at this British institution.
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The Unknown Theatre of Jerzy Grotowski : Performances in the Theatre of 13 Rows, 1959–1964
Examines the previously unresearched formative years of Polish director Jerzy Grotowski’s career. Polish director Jerzy Grotowski (1933–1999) was an international leader in experimental theater who became famous in the late 1960s for his revolutionary approach to audience involvement.This volume is devoted to Grotowski’s early work—the performances he directed in the Theatre of 13 Rows (later Laboratory Theatre of 13 Rows) between 1959 and 1964 when the theater was working in the provincial town Opole in south-western Poland.Having decided to work in his own independent theater, Grotowski moved to Opole in September 1956 and developed his ideas with young, inexperienced actors, creating important performances that foreshadowed his renowned masterpieces of the late 1960s. In The Unknown Theatre of Jerzy Grotowski, Dariusz Kosinski and Wanda Swiatkowska reconstruct, analyze, and interpret each of the nine performances directed by Grotowski over this period: from Orpheus based onJean Cocteau (1959) to Hamlet Study based on Stanislaw Wyspianski (1964).Previously mentioned mainly in the context of the development of Grotowski’s method, these performances dealt with important social, political, and philosophical problems of postwar and post-Holocaust Poland.Grotowski also used these performances to experiment with the forces and problems that he later tried to be discreet about, such as sexuality. Revealing unnoticed and forgotten aspects of Grotowski’s theater, this landmark book presents new materials and perspectives that give fresh life to the study of a genius of twentieth-century theater.
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Rare Recordings & Live Performances
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A Celebration: Classic & Collectable Performances from Movies, Records, Ra...
Price: 15.49 £ | Shipping*: 3.99 £
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Does Rammstein lip-sync during their performances?
No, Rammstein does not lip-sync during their performances. The band is known for their high-energy live shows and they take pride in delivering authentic and powerful performances. Each member of the band sings and plays their instruments live on stage, creating a dynamic and engaging experience for their audience.
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How long do the magic performances last?
The magic performances typically last between 30 minutes to 1 hour, depending on the type of show and the magician's style. Some performances may be shorter for children's shows or longer for stage performances. The duration of the magic show is usually determined by the magician and can vary based on the audience's engagement and participation.
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How are the performances in Sims 4?
The performances in Sims 4 are generally well-received by players and critics alike. The game features smooth animations, detailed facial expressions, and realistic interactions between characters, which enhance the overall gameplay experience. Players appreciate the variety of emotions and behaviors that their Sims can exhibit, making the performances feel more authentic and engaging. Overall, the performances in Sims 4 contribute to the game's immersive and entertaining gameplay.
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Which music is suitable for witch performances?
Music that is dark, eerie, and mystical is typically suitable for witch performances. This can include genres such as dark ambient, neofolk, or gothic music. Songs with haunting melodies, ethereal vocals, and occult themes can help create an atmospheric and immersive experience for the audience during a witch performance. Ultimately, the music chosen should complement the overall mood and aesthetic of the performance.
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