Products related to Audience:
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Theatre and Audience
What does theatre do for - and to - those who witness, watch, and participate in it?Theatre& Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences.Focusing on European and North American theatre and its audiences in the twentieth and twenty-first centuries, it explores belief in theatre's potential to influence, impact and transform.Illustrated by examples of performance which have sought to generate active audience involvement - from Brecht's epic theatre to the Blue Man Group - it seeks to unsettle any simple equation between audience participation and empowerment. Foreword by Lois Weaver
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Audience
This accessible guide through audience studies’ histories outlines a contemporary Cultural Studies approach to audiences for the digital age.This book is not a survey of all existing audience research.Instead, its chapters survey parts of the field in order to draw some ‘through-lines’ from older traditions to contemporary debates, giving students a ‘way in’ to thinking about the current landscape from an ‘audience-sensitive’ perspective.In order to do this, the book utilises a series of verbs to organise and cut a path through audience research and register its ongoing relevance today.These verbs are: audience, anchor, mean, feel and work.The list is not exhaustive and the reader is invited to think about what verbs they would add or change throughout the book.Audience suggests renewing the importance of ‘form’ as a cultural process and in ‘circling-back’ to Cultural Studies’ ‘circuit of culture’, it proposes a modified framework for ‘the digital circuit’.Each chapter opens with a particular scenario for the reader to reflect upon and asks a specific question to help orient the account of research that is to come, especially for those new to Media and Cultural Studies and to audience studies. Written in an engaging and accessible style, this book is ideal for both students and researchers of Media and Cultural Studies.
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Audience Participation in Theatre : Evolutions of the Invitation
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued.
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Audience Participation in Theatre : Aesthetics of the Invitation
This book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker's art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.
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Is the applause of the audience in television shows controlled?
Yes, the applause of the audience in television shows is often controlled. Producers may use techniques such as prompting the audience when to clap, using applause signs, or even adding canned applause during post-production to enhance the viewing experience. This manipulation helps create a more engaging and dynamic atmosphere for the viewers at home.
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What do the audience do during the commercials in live shows?
During commercials in live shows, the audience typically takes the opportunity to stretch their legs, visit the restroom, or grab a snack or drink. Some audience members may also use this time to check their phones or engage in conversation with those around them. Overall, the commercial break provides a brief intermission for the audience to relax and take a break before the live show resumes.
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What interests the audience?
The audience is interested in content that is relevant, engaging, and informative. They are drawn to topics that resonate with their interests, challenges, and aspirations. Additionally, the audience is often captivated by stories, experiences, and perspectives that are relatable and thought-provoking. Ultimately, the audience is interested in content that adds value to their lives and provides them with new insights and perspectives.
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What are audience games and how do they serve to entertain the audience?
Audience games are interactive activities or competitions that involve the audience in a live performance or event. These games serve to entertain the audience by creating a sense of participation and engagement. By involving the audience directly, it creates a fun and lively atmosphere, and helps to break down the barrier between the performers and the audience. Audience games also provide a sense of unpredictability and excitement, as the outcome is often determined by the audience's participation, making the experience more enjoyable for everyone involved.
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The Audience
For sixty years Elizabeth II has met each of her twelve prime ministers in a weekly audience at BuckinghamPalace, a meeting like no other in British public life.It is private. Both parties have an unspoken agreement never to repeat what is said. The Audience breaks this contract of silence. It imagines a series of pivotal meetings between the Downing Street incumbents and their queen.From Churchill to Cameron, each prime minister has used these private conversations as a sounding board and a confessional - sometimes intimate, sometimes explosive.From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age.Politicians come and go through the revolving door of electoral politics, while she remains constant, waiting to welcome her next prime minister. The Audience by Peter Morgan premiered at the Gielgud Theatre, London, in March 2013.It returned to the Apollo Theatre, London, in this revised version in April 2015. 'This is something rarer: funny and truthful, goodhearted, spiky, full of surprises.I loved every minute... there are stunning political moments... It's all fiction, of course, and often painfully funny, yet is expresses large and serious truths.' The Times
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A Good Night Out : Popular Theatre: Audience, Class and Form
The classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. John McGrath's manifesto is as relevant today as it was when first published in 1981.Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.
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Know Thy Audience
Know Thy Audience, Nadia de Vries's third poetry collection, disavows the platitude from which it takes its name and makes the reader complicit in both her aggression and her submission, sparked by a history of domestic abuse that escapes all euphemism and metaphor - but not poetry altogether.Speaking-or rather, singing-as a 'battered woman' from a working-class neighborhood, De Vries' aphoristic writing belies a vengeful reversal of roles in which the author-and not her perpetrator-pulls the strings.Who is the victim in these poems? Can violence be redeemed through esthetic metamorphosis? Or can powerlessness only be transferred as fetish? Know Thy Audience investigates the extent to which a victim can share their wounds, and to what degree an audience can-sensibly, ethically-be burdened with painful knowledge.
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Audience With the Mind
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'Singular or plural after audience?'
The word "audience" can be used with both singular and plural verbs, depending on the context. When referring to the audience as a collective group, a singular verb is used, such as "The audience is enjoying the performance." However, when referring to the individual members of the audience, a plural verb is used, such as "The audience are expressing their opinions." Therefore, it is important to consider the specific context in which "audience" is being used in order to determine whether a singular or plural verb should be used.
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Why were only seniors in the audience at television shows in the past?
In the past, television shows targeted a primarily older demographic because seniors were the ones with the most disposable income and leisure time to watch television. Advertisers were keen to reach this demographic, so shows were tailored to appeal to older audiences. Additionally, older individuals were more likely to be home during the day, making them a more accessible audience for live tapings of television shows. As a result, seniors were often the primary audience members at television show tapings in the past.
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Which target audience reads Die Zeit?
Die Zeit primarily targets an educated and intellectually curious audience. Its readers are typically well-informed individuals who are interested in in-depth analysis, critical thinking, and a broad range of topics including politics, culture, and society. The publication is known for its high-quality journalism and thoughtful commentary, making it popular among those who seek a more sophisticated and nuanced perspective on current events.
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How can one activate the audience?
One can activate the audience by engaging them through interactive activities such as asking questions, conducting polls, or encouraging participation in discussions. Using storytelling, humor, and personal anecdotes can also help to capture the audience's attention and make the content more relatable. Additionally, incorporating multimedia elements such as videos, images, and music can help to create a dynamic and stimulating environment that keeps the audience engaged. Finally, being passionate and enthusiastic about the topic can be contagious and help to energize the audience.
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